modern art, “Towards a Newer Laocoon.”1 These two articles, I believe, stake out the ground for Greenberg’s later practice as a critic and set down the main. Upon finishing my reading of Clement Greenberg’s famous essay Towards a New Laocoön, my initial reaction was to say to myself, “Ah that. Greenberg, Clement, () “Towards a Newer Laocoon” from Harrison, The title refers both to Gotthold Lessing’s Laocoon: An Essay upon the Limits of Poe.

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Posted by JM Rayner at Greenberg wrote several seminal essays that defined his views on art history in the 20th century.

Nascent Confessions: A Brief Interpretation of Clement Greenberg’s “Towards a New Laocoön”

This is an important point, since it reveals an assumed anthropomorphism that inhabits many claims for medium specificity. This tendency was driven by a desire to incorporate all the arts, or at least to conglomerate the more appealing elements of each into the others.

They write, Games produce meaning, but in a very unique way, a way that no other medium can. Would Greenberg claim that we have returned again to the imitation of poetry? Greenberg’s was a bit confusing to me, I didn’t grasp his thoughts too well. Apart from the persistent association of games with mindless entertainment, one difficulty plaguing the debate over medium specificity in videogames is their resistance to a single medium categorization.

As Carroll would expect, the medium specificity lwocoon for videogames are often couched as claims for artistic legitimacy.

Videogames are often discussed in cinematic terms—with references to effective editing, camera placement, sound design, scripting, and voice talent—yet they are routinely derided for their simplistic narrative structures, plot developments, or poor acting.

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Despite this progression, videogames are often still judged in terms of their early incarnations—Donkey Kong or Super Mario Bros—while more modern examples such as Grand Theft Auto are demonized for their excessive violence or sexuality. First, the complexity and sophistication of videogames has reached a point that allows its comparison to other more established media, such as film.

Please feel free to comment or, if you really want to reach me, email me. It is the source of its profits.

Economically, videogames can no longer be ignored and companies want to tap into its ever-expanding market share. Still, authorial control is a strange claim for cinema, since their production involves the collaboration of numerous people, including directors, screenwriters, cinematographers, producers, and so on.

Kitsch changes according to style, but remains always the same. The line between these movements is tenuous, however as artists such as Kenneth Noland utilized aspects of both movements in his art.

In this sense, the rules are inert until a player is present. Mimicry across forms was a limitation, he argued, and each medium should only pursue its particular strength. He was particularly impressed by the potential of painters William Ronald and Jack Bushand later developed a close friendship with Bush.

In particular, he is best remembered for his promotion of the abstract expressionist movement and was among the first published critics to praise the work of painter Jackson Pollock.

If a new medium can individuate itself, it shows its value versus the other arts, as it offers something new or different.

Greenberg’s widow, Janice van Horne, donated his annotated library of exhibition catalogues and publications on artists in Greenberg’s collection to the Portland Art Museum. His parents were middle-class Jewish immigrants, and he was the eldest of their three sons.

Most of the artists represented are American, along with several Canadians, and a handful of artists of other nationalities. No other art form does this. This wave culminated in the abstract expressionist movement, borrowing the introspective angst of German expressionism and the modern abstract tendencies of French art and coupling it with a distinctly American sense of scale and bravado.


Many poststructuralist theorists since the s, including Barthes and Foucault, provide rigorous critiques of authors and authorship in the arts. An Essay on the Limits of Painting and Poetrytrans.

Greenberg believed Modernism provided a critical commentary on experience. Affirmations and Refusals, — A recipe for chocolate cake is never an actual cake, no matter how elegant its description.

Clement Greenberg – Wikipedia

Is there really no distinction, at least at the laocoon of medium, between a game of chess and a Halo deathmatch? Greenberg begins his art historical analysis in 17th century Europe. It posited that there were inherent qualities specific to each different artistic medium, and part of the Modernist project involved creating artworks that were more and more ‘about’ their particular medium.

University of Chicago Press. Clearly, Fox and Sharp want to find a unique expression for their medium, but their distinctions between process and form are internally inconsistent.

Clement Greenberg

Big business means mainstream recognition. By using a single shared subject matter as a kind of scientific control case, he proposed the strengths and weaknesses of laocion medium. Likewise, many Fluxus or performance works are conceived as rules alone.