ALESIS. MidiVerb 3. Reference Manual SECTION 1. MIDIVERB III QUICK START. The Alesis MIDIVERB III is a high quality multi-effects unit which. Find great deals for Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor. Shop with confidence on eBay!. REVERBS. Chorus-Reverb-Delay-EQ. Small Bright Room 1. Small Bright Room 2. Small Warm Room. Small Warm Chamber.
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So if, like me, you enjoy writing percussion tracks which use delay as an implicit part of the rhythm, you’re likely to find the Midiverb somewhat restricted, particularly on slower tracks. What are the effects, types of effects available? Control over delay consists of two straightforward parameters for adjusting Delay Time and Regeneration feedback alsis which, when you think about it, is really all you need. As explained earlier, the high-cut filters which form the basis of the Midiverb’s EQ section may be applied individually to either.
Subscribe to our free newsletter Subscribe. Being designed primarily for use in studio racks, the Midiverb III is a 1U-high, 19″ rack unit with all controls situated alesiw the front panel.
Having already enjoyed its second coming, the Midiverb is now on its third – so what have Alesis added to their already successful formula for ? On a more positive note, the manual contains individual block diagrams for each of midivegb 15 configurations, and lists the various effects possibilities available from each.
la_saucisse’s review – Alesis MidiVerb III – Audiofanzine
But you do need to optimise your signal levels if noise isn’t to become a problem, particularly with flanging. By using our services, you agree to our use of cookies. Actually, given the multiple effects of which each of these units is capable, it is perhaps a little odd that Alesis should have stuck with the verb suffix in the naming of their products. And don’t forget, the judicious application of a little high frequency roll-off courtesy of the EQ section can provide extra interest in terms of sound colouration should it be required.
Actually, this is tied in with the fact that Alesis used to fit miniature 3. Cookies help us improve performance, enhance user experience and deliver our services. Searchable archive of old, out-of-print music production magazines. Though they prevented you from using any other make of adaptor, they had a tendency to short and produce a nasty spark if the plug was withdrawn with the supply still connected to the mains.
Following the emergence of Yamaha’s hugely popular SPX90, a few years ago, it quickly became clear that the way forward was the area of multi-effects, where a single unit was capable of providing reverb, chorus, ADT, flanging and delay in various combinations – and, of course, under the control of MIDI. I’ve no doubt that competitors will soon appear, but right now there’s nothing to compare it with at the price. When describing the Midiverb III as being stereo as I did earlierI may have given the impression that this applied to the delay section too, which it doesn’t.
I use it for home recording, and it’s nickel. For example, in some configurations the chorus effect is connected directly to the output whilst in others it is applied to the input of the reverb or delay effects. Music Technology – Mar A very good reverb, which fits in every home-studios.
Of course, it is finished in a rather conservative shade of black as opposed to the electric puce more familiar to our guitarist friends, but I’m sure even they could learn to live with it. But consider the lot of the designers at a company like Alesis: And despite its inherent limitations the delay section acquits itself too – even below the ms mark, you can coax enough slapback echo and ADT effects out of it to make it earn its keep.
The six parameters available for control are reverb decay time, reverb level, delay time, delay level, delay regeneration feedback and chorus speed – giving a total of 48 routing options together with control of modulation amplitude by either a positive or negative amount. In a number of configurations, the Delay section is used to provide a pre-delay for the reverb to simulate the effect of very large rooms, whilst in others it is used as a conventional digital delay.
Previous article in this issue: Of course, in practice, being restricted to mono delays means little more than not being able to set up those intensely irritating ping-pong’ effects which seem to crop up on most units these days if you think you’ve just unearthed an underlying prejudice of mine, you’d be right.
Write a user review Ask for a user review. On the rear panel of the Midiverb, there are no real surprises: Excellent Knowing what you know now, would you make the same choice? Please include your email address if you want to be contacted regarding your note.
Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor
The second parameter, Chorus Speed, gives you control over the modulation rate of the effects – pitch in the case of chorus midivegb time in the case of flanging. Rather disappointingly, delay time is limited to ms in all but two configurations, and even here a figure of ms represents the upper limit. You can send us a note about this article, or let us know of a problem – select the type from the menu above.
Other articles featuring gear in this article: Did you try many mifiverb models before getting this one? Incidentally, all mapping functions are global and cannot be stored with individual programs.
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YES many multi effct miviverb finally got tired after having to do hacks I opted for this little gem. I won’t insult you with a description of the Value, Edit, Bypass, Store or Program number buttons, but Configure and Modulation require a few words of explanation. This kind of facility, as you might imagine, makes the Midiverb highly useful in live situations, where a player may find it difficult to move away from his or her instrument – another indication, perhaps, that Alesis were looking to extend the midivrrb of this unit beyond that of the home and semi-professional studio user.
Yes What is the connection? Reverb, delay, chorus, flanger, the equa while 16 bits. Previous Alesiz in this issue Passport Designs’ Encore. Once again, we’re looking at a facility which has been included primarily as a means of producing more convincing reverb effects, but it does have its place in tailoring the overall sound of the unit, which for those without individual EQ controls on the effects loops on their mixing desks and so on, should prove quite useful. Whether you decide to do it this way depends very much on what it is you need to input, but I found mixiverb using the keypad more and more after getting impatient waiting for the increment button to step from program 6 to program As explained earlier, the maximum ms delay is available only in the last two configurations 14 and 15which do kii include any reverb effect.